Girls Who Can Write: ‘West Texas Poem’

Illustration by Midland Times
By Girls Who Can Write

I could leave. 

That’s the thing people don’t understand—

freedom came, quiet as dust, 

no parade, no brass band, 

just a number in an account 

and the sudden absence of needing to be anywhere. 

I could go where the air is softer, 

where trees crowd the sky 

and oceans rehearse their endless applause. I could disappear into a place 

that doesn’t bake its truths into cracked earth.

But I stay. 

Out here near Amarillo, 

where the horizon refuses to end 

and the sky is less a ceiling 

and more a confession. 

People think staying is a failure of imagination. Like I ran out of dreams somewhere between the windmills and the long roads 

that hum like a half-remembered song. 

But they don’t hear what I hear. 

The wind doesn’t just pass through West Texas— it speaks. 

It drags its fingers across barbed wire 

and telephone lines, 

turns silence into something alive. 

And down through Midland and Odessa, where pumpjacks bow their heads 

like they’re praying to something buried deep, the earth answers back in oil and grit. 

There’s a rhythm there—

metal, dust, persistence— 

a kind of stubborn heartbeat 

that doesn’t quit just because it could. 

And the trucks— 

loud, unapologetic, rolling thunder down two-lane roads, diesel voices you feel in your chest before you hear them— they don’t whisper their way through life, 

and neither do the people here. 

In Marfa, 

even the mystery lights don’t try to explain themselves. They just exist— 

flickering proof 

that not everything needs leaving to be meaningful.

I stay because nothing here pretends. 

Because community isn’t a word on a brochure— it’s a meeting that runs too long 

because everyone cares too much. 

It’s serving on boards where decisions matter not in headlines, but in real lives. 

It’s neighbors who don’t stay neighbors— 

they show up, again and again, 

until somewhere along the way 

they become family. 

It’s borrowed tools, shared meals, 

front porch conversations that stretch past sunset, names you don’t forget 

because they’re tied to stories you lived. 

The land doesn’t flatter you. 

It doesn’t care how much money you have, 

what you escaped, 

or what you think you deserve.

It hands you heat. 

It hands you distance. 

It hands you yourself. 

And somehow, that’s enough. 

I stay because I learned how to be still here. Because the quiet isn’t empty— 

it’s earned. 

Because I no longer confuse movement

with purpose. 

Freedom, I found, 

isn’t always in the leaving. 

Sometimes it’s in the choosing— 

over and over again— 

to remain where your bones recognize the ground,

where the sunsets burn like they mean it, where

the nights stretch wide enough 

to hold every question you stopped asking.

I could leave. 

But out here, 

with nothing chasing me 

and nowhere demanding I go, 

I finally understand: 

Staying is the only thing 

that feels like mine. 

— Destiny Vargas